‘Photography grasps what is given as a spatial (or temporal) continuum; memory images retain what is given only insofar as it has significance. Since what is significant is not reducible to either merely spatial or merely temporal terms, memory images are at odds with photographic representation. From the latter’s perspective, memory images appear to be
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Sand / Eat Sand
What is it about the work of photographers like Robert Capa, Robert Frank or Daido Moriyama and Daisuke Yokota… that feels so striking to me? I’ve always questioned my references, whether photographic or not… And those recognizable patterns I’ve encountered, the fragmentary, the flawed, the process as experience, as experimentation; characterize almost all which has
Before 0
[Ongoing]. Imagery is restless. It has no consumption waste; and yet, hails from a depleted sense of reality that feeds upon itself. As in a cycle –may there be a more contemporary notion. Images of real things. Images of images. Reinterpretation, appropriation…; it all seems applicable to fairy everything. And it all leads to the
The Next Move. Production Design.
The Next Move. [Short Film]. Original Screenplay and Film Direction: Emiliano Grassi. Starring: Chacho De Gregorio, Lorena Díaz, Julieta Grassi. Photography Direction: Lucía Coates. Production Design and Art Direction: Lorena Articardi. Montage: Emiliano Grassi, Lucía Coates.
Mondesign 2016
Mondesign 2016. Fashion Show [Film]. Fashion Show: Mondesign, 2016 edition. Executive Producer and Creative Director: Pablo Giménez. Film Director: Lorena Articardi.
Gold Campaign
Gold Campaign. Fashion Editorial [Cover]. Magazine: Visible, 2016 edition. Published by Escuela Integral Pablo Giménez.
Professor Vorstellen
Professor Vorstellen. Film [Short]. Director/Scriptwriter: Antonella Corts. Executive Producer: Universidad Católica del Uruguay.